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Beginning to read Hill William is like tuning into a blues station at 4:00 a.m. while driving down the highway. Scott McClanahan's work soars with a brisk and lively plainsong, offering a boisterous peek into a place often passed over in fiction: West Virginia, where coal and heartbreak reign supreme. Hill William testifies to the way place creates and sometimes stifles one's ability to hope. It reads like a Homeric hymn to adventure, to the human comedy's upsets and small downfalls, and revels in its whispers of victory. So grab coffee, beer—whatever gets you through the night—and join Scott around the hearth. Lend him your ear, but be warned: you might not want it back.
Solip is a Beckettian experiment in the flexibility of language. Each sentence its own cosmos. Each line is a grave and what goes into a grave. There may be a million narratives in Solip, or there may be none. Each reader will find their own story inside.
Ken Baumann is a rising star of young Hollywood, producing the kind of writing James Franco, or literally any other thesp (except, perhaps, for Sam Shepard) could only dream about. This is his first book and is destined to excite as well as confound its audience.
Marie Calloway emerged in 2011, a controversial, compelling young talent whose work drove intense and polarized discussion from its first appearance. Her debut work of fiction, what purpose did i serve in your life, examines the nature of sex and the possibility of real connection in the face of degradation and blankness. Its interlocking stories follow a chronological arc from innocence to sexual experience, taking in the humiliations of one night stands with male strangers, the perils of sex work, and the caustic reception that greets a woman working and writing in public. It is a brave and pitiless examination of yearning in an era of hyper-exposure and a riveting account of the moments of transcendence seized from an otherwise blank world.
"Staggeringly original, gloriously written. Sam Michel's Strange Cowboy is buoyed along by the same stuff all great novels are made of—loss, love, renewal, wanting, humor, regret. The enormity of being a father and a husband becomes even more tragic in Michel's hands, though, more uplifting, because Michel delivers his heart onto the page in a way that nobody has before him."
–Yannick Murphy (The Call, Signed Mata Hari)
In an interview published in the winter 2010 issue of the PARIS REVIEW, Jonathan Franzen said to Stephen Burn, "I've never felt less self-consciously preoccupied with language than I did when I was writing FREEDOM. Over and over again, as I was producing chapters, I said to myself, 'This feels nothing like the writing I did for twenty years—this just feels transparent.'’ Franzen added that this struck him as "a good sign"—an indication that he was "pressing language more completely into the service of providing transparent access to the stories I was telling and to the characters in those stories."
Blake Butler is the opposite of that.
120 drawings printed on lined composition paper. Cover printed on blue, yellow, brown, and green colored paper.Very few of these were produced. Know that not ordering this book is blowing it with your life. Thank you.
To view drawings and read introduction please visit, the book's mini site here.
A husband wakes up to find that his wife has had a seizure during the night. The husband calls an ambulance and his wife is rushed to a hospital where she lies in a coma. By day, the husband sits beside his wife and tries to think of ways to wake her up. At night, the husband sleeps in the chair next to his wife’s bedside dreaming that she will wake up. He wants to be able to take her back home. Years later, the story of this long and loving marriage is retold by their grandson. He wants to understand his grandmother’s life and death, what it meant to his grandfather, and what it means to him. He wants to understand – in his own words – “how love can accumulate between two people.”
Jelonnek is a blue collar Midwesterner trapped in a life he is almost sure he wants to escape. Driven by a dim yearning to transcend, he makes the first real choice of his life when a simple errand to a convenience store escalates into a terrifying encounter. He soon finds himself on a cross-country odyssey with a woman he barely knows and her young daughter, in search of escape and new beginnings. They find shelter in an isolated existence at the edge of the country, only to be besieged by threats from outside and, finally, from within. A descent into paranoia, nascent violence and sexuality follows, culminating in a one-man Armageddon and an aftermath as hopeful as it is horrifying.
Firework is the story of a man who, though ill-equipped to help himself, attempts to help someone else, and the beautifully rendered, perhaps necessary catastrophe that results. Unequaled in intensity, it is also an exhilarating expression of the noble, all-too human impulse to become more than what we seem to be.
Imagine having recurring nightmares of a woman who has one normal leg and one baby leg, and then waking up to wonder if today will be the day when they—whoever “they” are—find you and kill you. Unless you’re missing the point. Maybe “they” already have “you” and the world is a great deal more grotesque than you could ever imagine. Film noir collides with virtual worlds in this dark and strange novella that only Brian Evenson could have written. Illustrated by Eric Hanson.